Tamkang Review, 第 33 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2002 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 79 筆
第 117 頁
... play " is about the two actors , and their different racial and cultural origins , creating whatever conflicts exist from their different approach to the theater , its ritual , its meaning , its style . " Second , the play shows " the ...
... play " is about the two actors , and their different racial and cultural origins , creating whatever conflicts exist from their different approach to the theater , its ritual , its meaning , its style . " Second , the play shows " the ...
第 122 頁
... play Robinson Crusoe , I could play Columbus , I could play Sir Francis Drake , I could play anybody discov- ering anywhere , but I don't want you to tell me when and where to draw the line ! ( Pantomime 140 ) Jackson's mimicry works ...
... play Robinson Crusoe , I could play Columbus , I could play Sir Francis Drake , I could play anybody discov- ering anywhere , but I don't want you to tell me when and where to draw the line ! ( Pantomime 140 ) Jackson's mimicry works ...
第 128 頁
... play . ( Pantomime 150 ) At this point the play comes to a farcical climax as gender and racial binaries are intertwined in Walcott's postcolonial discourse . Surely the adherence to the convention of gender inversion in English ...
... play . ( Pantomime 150 ) At this point the play comes to a farcical climax as gender and racial binaries are intertwined in Walcott's postcolonial discourse . Surely the adherence to the convention of gender inversion in English ...
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