Tamkang Review, 第 18 卷Graduate School of Western Languages and Literature, Tamkang University, 1988 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 29 筆
第 233 頁
... haiku is a sharing of perceptions between reader and poet , and their convergence has long been stressed , even in the earliest period of haiku . III . The above introduction to the basic elements of the classical haiku must suffice . A ...
... haiku is a sharing of perceptions between reader and poet , and their convergence has long been stressed , even in the earliest period of haiku . III . The above introduction to the basic elements of the classical haiku must suffice . A ...
第 250 頁
... haiku form is to demonstrate that the fusion of formal properties and other less " measurable " criteria , such as the seasonal element , " objectivity " and the relationship between images , are what make haiku a unique poetic genre ...
... haiku form is to demonstrate that the fusion of formal properties and other less " measurable " criteria , such as the seasonal element , " objectivity " and the relationship between images , are what make haiku a unique poetic genre ...
第 255 頁
... haiku conventions is important for the English haiku movement if it has any chance of surviving as a viable and lasting poetic mode . It is clear that the English haiku must develop its own form and its own set of conventions , but they ...
... haiku conventions is important for the English haiku movement if it has any chance of surviving as a viable and lasting poetic mode . It is clear that the English haiku must develop its own form and its own set of conventions , but they ...
內容
AUTUMN 1987SUMMER 1988 NO 1234 | 1 |
Apollinaire | 11 |
Modern Developments in ChineseWestern | 39 |
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