A Comics Studies ReaderJeet Heer, Kent Worcester Univ. Press of Mississippi, 2011年9月23日 - 396 頁 Contributions by Thomas Andrae, Martin Barker, Bart Beaty, John Benson, David Carrier, Hillary Chute, Peter Coogan, Annalisa Di Liddo, Ariel Dorfman, Thierry Groensteen, Robert C. Harvey, Charles Hatfield, M. Thomas Inge, Gene Kannenberg Jr., David Kasakove, Adam L. Kern, David Kunzle, Pascal Lefèvre, John A. Lent, W. J. T. Mitchell, Amy Kiste Nyberg, Fusami Ogi, Robert S. Petersen, Anne Rubenstein, Roger Sabin, Gilbert Seldes, Art Spiegelman, Fredric Wertham, and Joseph Witek A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use. |
搜尋書籍內容
第 1 到 5 筆結果,共 83 筆
第 4 頁
... shows just how retarded the study of the 9th art is. As a cultural phenomenon and art form, comics (until the 19605) were surrounded by a quite deafening silence. They simply were not regarded as such; there was a complete absence of ...
... shows just how retarded the study of the 9th art is. As a cultural phenomenon and art form, comics (until the 19605) were surrounded by a quite deafening silence. They simply were not regarded as such; there was a complete absence of ...
第 6 頁
... shows present them aurally, whereas in comics they must be read. Because they are printed, comics seem to be more closely related to literature; furthermore, in addressing children, they are expected to make a contribution to their ...
... shows present them aurally, whereas in comics they must be read. Because they are printed, comics seem to be more closely related to literature; furthermore, in addressing children, they are expected to make a contribution to their ...
第 9 頁
... show the extent to which comics (where text and drawings contribute to the same narrative project) dispute the validity of the dominant trend of thought and therefore could not do otherwise than to provoke the disdain and contempt of ...
... show the extent to which comics (where text and drawings contribute to the same narrative project) dispute the validity of the dominant trend of thought and therefore could not do otherwise than to provoke the disdain and contempt of ...
第 14 頁
... shows that a major artistic innovation of early twentieth-century comics involved a smoother fusion of words and pictures. In emphasizing the importance of words, Harvey's essay is pointedly challenging a famous definition of comics ...
... shows that a major artistic innovation of early twentieth-century comics involved a smoother fusion of words and pictures. In emphasizing the importance of words, Harvey's essay is pointedly challenging a famous definition of comics ...
第 18 頁
... show] cruel, hard, superior creatures, brutal divinities, but divinities after all, of grandeur and beauty. They live, they speak, they proclaim.”7 The preference for the primitive, to use the title of Gombrich's last book, is deeply ...
... show] cruel, hard, superior creatures, brutal divinities, but divinities after all, of grandeur and beauty. They live, they speak, they proclaim.”7 The preference for the primitive, to use the title of Gombrich's last book, is deeply ...
內容
3 | |
13 | |
CRAFT ART FORM | 101 |
CULUTURE NARRATIVE IDENTITY | 173 |
SCRUTINY AND EVALUATION | 253 |
Contributors | 363 |
Index | 369 |
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常見字詞
adventure advertisers aesthetic Alan Moore Ally Sloper American appeared Art Spiegelman artists ASHH audience autobiographical comics balloons Barks Barks’s caption caricature cartoonists century characters Chris Ware comic art comic book comic strip conventions costume create critics culture define definition depicted drawing EC Comics elements essay example father’s Ferjus fiction fictional field figures film final find first fit frame funny gag cartoon Gatsby girls graphic Harvey Pekar hero horror humor identity images influence issue jackie Japanese Krigstein language Larson literature look Luke Cage magazines Mampato Maus Maus’s medium modern manga Mutt narrative nature newspaper panel percent political popular published readers reflects Reissman representation Reprinted scene sequence shoujo manga shows significant Sloper social sound space specific speech balloon story superhero superhero genre theory tion Topffer traditional Understanding Comics University Press verbal visual Vladek Ware Ware’s women words writing Yellow Kid York