A Comics Studies ReaderJeet Heer, Kent Worcester Univ. Press of Mississippi, 2011年9月23日 - 396 頁 Contributions by Thomas Andrae, Martin Barker, Bart Beaty, John Benson, David Carrier, Hillary Chute, Peter Coogan, Annalisa Di Liddo, Ariel Dorfman, Thierry Groensteen, Robert C. Harvey, Charles Hatfield, M. Thomas Inge, Gene Kannenberg Jr., David Kasakove, Adam L. Kern, David Kunzle, Pascal Lefèvre, John A. Lent, W. J. T. Mitchell, Amy Kiste Nyberg, Fusami Ogi, Robert S. Petersen, Anne Rubenstein, Roger Sabin, Gilbert Seldes, Art Spiegelman, Fredric Wertham, and Joseph Witek A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use. |
搜尋書籍內容
第 1 到 5 筆結果,共 73 筆
第 xiii 頁
... words and pictures work? How do comics achieve meaning, for readers, subcultures, and societies? As these questions suggest, the term “comics” is itself filled with ambiguity. In everyday language the term can refer to comic strips (“I ...
... words and pictures work? How do comics achieve meaning, for readers, subcultures, and societies? As these questions suggest, the term “comics” is itself filled with ambiguity. In everyday language the term can refer to comic strips (“I ...
第 6 頁
... words. This is confirmed by the presence of numerous redundancies in the captions to their pictures. . . .”8 A work whose verbal content is confined to “simple” dialogues is nothing scandalous in itself: it is the case of movies and the ...
... words. This is confirmed by the presence of numerous redundancies in the captions to their pictures. . . .”8 A work whose verbal content is confined to “simple” dialogues is nothing scandalous in itself: it is the case of movies and the ...
第 7 頁
Jeet Heer, Kent Worcester. the visual system—to use Annie Renonciat's words—constitutes a symbolic revolution, a ... word over all other forms of expression could only take this inversion as an attack. The two last complaints most ...
Jeet Heer, Kent Worcester. the visual system—to use Annie Renonciat's words—constitutes a symbolic revolution, a ... word over all other forms of expression could only take this inversion as an attack. The two last complaints most ...
第 14 頁
... words and pictures. In emphasizing the importance of words, Harvey's essay is pointedly challenging a famous definition of comics articulated by the cartoonist Scott McCloud, who wrote in his book Understanding Comics (1993) that comics ...
... words and pictures. In emphasizing the importance of words, Harvey's essay is pointedly challenging a famous definition of comics articulated by the cartoonist Scott McCloud, who wrote in his book Understanding Comics (1993) that comics ...
第 25 頁
... words), McCloud maintains that comics do not have to contain words to be comics (McCloud, 8). But words are clearly an integral part of what we think of when we think of comics: words as well as pictures. McCloud's definition is simply ...
... words), McCloud maintains that comics do not have to contain words to be comics (McCloud, 8). But words are clearly an integral part of what we think of when we think of comics: words as well as pictures. McCloud's definition is simply ...
內容
3 | |
13 | |
CRAFT ART FORM | 101 |
CULUTURE NARRATIVE IDENTITY | 173 |
SCRUTINY AND EVALUATION | 253 |
Contributors | 363 |
Index | 369 |
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常見字詞
adventure advertisers aesthetic Alan Moore Ally Sloper American appeared Art Spiegelman artists ASHH audience autobiographical comics balloons Barks Barks’s caption caricature cartoonists century characters Chris Ware comic art comic book comic strip conventions costume create critics culture define definition depicted drawing EC Comics elements essay example father’s Ferjus fiction fictional field figures film final find first fit frame funny gag cartoon Gatsby girls graphic Harvey Pekar hero horror humor identity images influence issue jackie Japanese Krigstein language Larson literature look Luke Cage magazines Mampato Maus Maus’s medium modern manga Mutt narrative nature newspaper panel percent political popular published readers reflects Reissman representation Reprinted scene sequence shoujo manga shows significant Sloper social sound space specific speech balloon story superhero superhero genre theory tion Topffer traditional Understanding Comics University Press verbal visual Vladek Ware Ware’s women words writing Yellow Kid York