淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 31 筆
第 57 頁
... called an invertebrate writer , who slavishly stays in a rut trodden by the foregoing writers . If the writer vacillates between or slightly crosses the generic boundary and adds something new to it , he or she can be called an ...
... called an invertebrate writer , who slavishly stays in a rut trodden by the foregoing writers . If the writer vacillates between or slightly crosses the generic boundary and adds something new to it , he or she can be called an ...
第 60 頁
... called fu ; to single out something to parallel one's sentiments is called bi ; to feel something so deeply as to arouse emotions in one is called xing " ( Liu Xizai 121 ) . According to Ban Gu ( 32-92 ) , fu is a variant of ancient ...
... called fu ; to single out something to parallel one's sentiments is called bi ; to feel something so deeply as to arouse emotions in one is called xing " ( Liu Xizai 121 ) . According to Ban Gu ( 32-92 ) , fu is a variant of ancient ...
第 157 頁
... called East . Foregrounding the category of Natality , we have to say that weaving and reweaving an identity just is what living in a culture is all about . So - called Western intellectuals and scholars are no less engaged in this task ...
... called East . Foregrounding the category of Natality , we have to say that weaving and reweaving an identity just is what living in a culture is all about . So - called Western intellectuals and scholars are no less engaged in this task ...
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According aesthetic affective American literature ancient appearance Asian American Basho beauty becomes Book called century chapter China Chinese Chinese American classical close Comparative concept concerned considered context critics cultural described desire discussion dream dynasty emotions example experience expression fact feelings function genre genre theory give haiku hand Hong human ideas imagination important individual kind language lines literary lyric meaning metaphor mind mode mountain narrator nature notion object observation original Palace poem poet poetic poetry political present Press principles qing reader refers reflect rhetoric Scaliger scene scholars seems sense shih significant social Songs story studies style suggests symbols theory things thought tradition translation turn understanding University Wang Wei West Western woman women writing written xing York Zhong