淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 33 筆
第 3 頁
... eye in his work . " However , it would still be interesting to see how to define “ the painter's eye " and how it affects Wang Wei's poetry . " The painter's eye " could be considered as a creative subjectivity in the process of ...
... eye in his work . " However , it would still be interesting to see how to define “ the painter's eye " and how it affects Wang Wei's poetry . " The painter's eye " could be considered as a creative subjectivity in the process of ...
第 5 頁
... eye has to move . In a sense , the movement of the viewer's eye follows the poet's eye , and builds up the appreciative process and therefore gains the visual pleasure . The balanced parallelism in the poem also enforces this pleasure ...
... eye has to move . In a sense , the movement of the viewer's eye follows the poet's eye , and builds up the appreciative process and therefore gains the visual pleasure . The balanced parallelism in the poem also enforces this pleasure ...
第 8 頁
... eyes suddenly become ambiguous . We are not sure whether the viewer thinks of the allusion of overpowering " the poisonous dragon " by seeing the " empty pond " or watches a monk sitting there and meditating , or the viewer himself sits ...
... eyes suddenly become ambiguous . We are not sure whether the viewer thinks of the allusion of overpowering " the poisonous dragon " by seeing the " empty pond " or watches a monk sitting there and meditating , or the viewer himself sits ...
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According aesthetic affective American literature ancient appearance Asian American Basho beauty becomes Book called century chapter China Chinese Chinese American classical close Comparative concept concerned considered context critics cultural described desire discussion dream dynasty emotions example experience expression fact feelings function genre genre theory give haiku hand Hong human ideas imagination important individual kind language lines literary lyric meaning metaphor mind mode mountain narrator nature notion object observation original Palace poem poet poetic poetry political present Press principles qing reader refers reflect rhetoric Scaliger scene scholars seems sense shih significant social Songs story studies style suggests symbols theory things thought tradition translation turn understanding University Wang Wei West Western woman women writing written xing York Zhong