淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 49 筆
第 37 頁
... feelings and ideological motives are absent in this poetic mode . There seems to have been more superficial demonstration of images of beauty than inward amplification of the feelings of such images though the illustration remains ...
... feelings and ideological motives are absent in this poetic mode . There seems to have been more superficial demonstration of images of beauty than inward amplification of the feelings of such images though the illustration remains ...
第 41 頁
... feelings , it is yuanqing . With such respectable authorities as these , subsequent critics followed suit though some still had qualms about the actual operative mode of the qing that Lu Ji had in mind . On the other hand , by equating ...
... feelings , it is yuanqing . With such respectable authorities as these , subsequent critics followed suit though some still had qualms about the actual operative mode of the qing that Lu Ji had in mind . On the other hand , by equating ...
第 90 頁
... feelings , to keep good company , to express grievances " ( Waley 212 ) . Here , according to Zheng Xuan ( 127-200 ) , " express grievances " means that poetry might give vent to one's complaint against rulers , satirize or admonish ...
... feelings , to keep good company , to express grievances " ( Waley 212 ) . Here , according to Zheng Xuan ( 127-200 ) , " express grievances " means that poetry might give vent to one's complaint against rulers , satirize or admonish ...
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According aesthetic affective American literature ancient appearance Asian American Basho beauty becomes Book called century chapter China Chinese Chinese American classical close Comparative concept concerned considered context critics cultural described desire discussion dream dynasty emotions example experience expression fact feelings function genre genre theory give haiku hand Hong human ideas imagination important individual kind language lines literary lyric meaning metaphor mind mode mountain narrator nature notion object observation original Palace poem poet poetic poetry political present Press principles qing reader refers reflect rhetoric Scaliger scene scholars seems sense shih significant social Songs story studies style suggests symbols theory things thought tradition translation turn understanding University Wang Wei West Western woman women writing written xing York Zhong