淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 26 筆
第 13 頁
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , " lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , " lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
第 17 頁
... narrator's voice seems from the third person , who closely followed the marching but at the same time keeps a certain distance . In other words , the narrator is paradoxically a detached observer as well as an engaged participant in the ...
... narrator's voice seems from the third person , who closely followed the marching but at the same time keeps a certain distance . In other words , the narrator is paradoxically a detached observer as well as an engaged participant in the ...
第 18 頁
... narrator may be called a storyteller in terms of narrative quality , although those " stories " are actually only ... narrator's point of view . Wang Wei amazingly changes his narrator's position quite often , such as from the first ...
... narrator may be called a storyteller in terms of narrative quality , although those " stories " are actually only ... narrator's point of view . Wang Wei amazingly changes his narrator's position quite often , such as from the first ...
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According aesthetic affective American literature ancient appearance Asian American Basho beauty becomes Book called century chapter China Chinese Chinese American classical close Comparative concept concerned considered context critics cultural described desire discussion dream dynasty emotions example experience expression fact feelings function genre genre theory give haiku hand Hong human ideas imagination important individual kind language lines literary lyric meaning metaphor mind mode mountain narrator nature notion object observation original Palace poem poet poetic poetry political present Press principles qing reader refers reflect rhetoric Scaliger scene scholars seems sense shih significant social Songs story studies style suggests symbols theory things thought tradition translation turn understanding University Wang Wei West Western woman women writing written xing York Zhong