淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 87 筆
第 3 頁
... tradition . In Western poetics , no single term conven- iently expresses this dialectic . We hear either of tradition / orig- inality , or of convention / innovation , and therefore we may look them up under such entries in Preminger's ...
... tradition . In Western poetics , no single term conven- iently expresses this dialectic . We hear either of tradition / orig- inality , or of convention / innovation , and therefore we may look them up under such entries in Preminger's ...
第 4 頁
... tradition is all but pushed out of his consciousness . Yet , tradition has inevitably imbued the artist to the marrow of his bones : the ideas he acquires , the language he uses , the form he adopts -- tradition permeates the air he ...
... tradition is all but pushed out of his consciousness . Yet , tradition has inevitably imbued the artist to the marrow of his bones : the ideas he acquires , the language he uses , the form he adopts -- tradition permeates the air he ...
第 5 頁
... tradition . Instead of absorbing it as " an absolute body of work , " however , the creative writer achieves change of tradition to some extent , as Raymond Williams puts it , in a continual process of " selection and interpretation ...
... tradition . Instead of absorbing it as " an absolute body of work , " however , the creative writer achieves change of tradition to some extent , as Raymond Williams puts it , in a continual process of " selection and interpretation ...
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According aesthetic affective American literature ancient appearance Asian American Basho beauty becomes Book called century chapter China Chinese Chinese American classical close Comparative concept concerned considered context critics cultural described desire discussion dream dynasty emotions example experience expression fact feelings function genre genre theory give haiku hand Hong human ideas imagination important individual kind language lines literary lyric meaning metaphor mind mode mountain narrator nature notion object observation original Palace poem poet poetic poetry political present Press principles qing reader refers reflect rhetoric Scaliger scene scholars seems sense shih significant social Songs story studies style suggests symbols theory things thought tradition translation turn understanding University Wang Wei West Western woman women writing written xing York Zhong