The Manchester Quarterly: A Journal of Literature and Art, 第 1 卷

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Abel Heywood, 1882

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第 353 頁 - Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
第 240 頁 - Before the gates there sat On either side a formidable shape; The one seem'd woman to the waist, and fair, But ended foul in many a scaly fold...
第 12 頁 - Spring still makes spring in the mind When sixty years are told : Love wakes anew this throbbing heart, And we are never old. Over the winter glaciers I see the summer glow, And through the wild-piled snowdrift, The warm rosebuds below.
第 30 頁 - I was averse from a catastrophe so feeble as that of reconciling the Champion with the Oppressor of mankind. The moral interest of the fable, which is so powerfully sustained by the sufferings and endurance of Prometheus, would be annihilated if we could conceive of him as unsaying his high language and quailing before his successful and perfidious adversary.
第 219 頁 - Jonson, which two I behold like a Spanish great galleon, and an English man-of-war ; Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances.
第 219 頁 - I behold like a Spanish great galleon, and an English man-of-war; Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
第 68 頁 - Principles Of Human Knowledge 1. OBJECTS OF HUMAN KNOWLEDGE.—It is evident to any one who takes a survey of the objects of human knowledge, that they are either IDEAS actually imprinted on the senses; or else such as are perceived by attending to the passions and operations of the mind; or lastly, ideas formed by help of memory and imagination—either compounding, dividing, or barely representing those originally perceived in the aforesaid ways.
第 38 頁 - Remit the anguish of that lighted stare ; Close those wan lips ; let that thornwounded brow Stream not with blood ; it mingles with thy tears ! Fix, fix those tortured orbs in peace and death, So thy sick throes shake not that crucifix, So those pale fingers play not with thy gore.
第 238 頁 - The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That owned the virtuous ring and glass, And of the wondrous horse of brass On which the Tartar king did ride; And if aught else great bards beside In sage and solemn tunes have sung, Of turneys, and of trophies hung, Of forests, and enchantments drear, Where more is meant than meets the ear.
第 31 頁 - The great writers of our own age are, we have reason to suppose, the companions and forerunners of some unimagined change in our social condition or the opinions which cement it. The cloud of mind is discharging its collected lightning, and the equilibrium between institutions and opinions is now restoring, or is about to be restored.

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