William Randolph Hearst: The Early Years, 1863-1910Oxford University Press, 1998年4月16日 - 384 頁 William Randolph Hearst was one of the most colorful and important figures of turn-of-the-century America, a man who changed the face of American journalism and whose influence extends to the present day. Now, in William Randolph Hearst, Ben Procter gives us the most authoritative account of Hearst's extraordinary career in newspapers and politics. Born to great wealth--his father was a partial owner of four fabulously rich mines--Hearst began his career in his early twenties by revitalizing a rundown newspaper, the San Franciso Examiner. Hearst took what had been a relatively sedate form of communicating information and essentially created the modern tabloid, complete with outrageous headlines, human interest stories, star columnists, comic strips, wide photo coverage, and crusading zeal. His papers fairly bristled with life. By 1910 he had built a newspaper empire--eight papers and two magazines read by nearly three million people. Hearst did much to create "yellow journalism"--with the emphasis on sensationalism and the lowering of journalistic standards. But Procter shows that Hearst's papers were also challenging and innovative and powerful: They exposed corruption, advocated progressive reforms, strongly supported recent immigrants, became a force in the Democratic Party, and helped ignite the Spanish-American War. Procter vividly depicts Hearst's own political career from his 1902 election to Congress to his presidential campaign in 1904 and his bitter defeats in New York's Mayoral and Gubernatorial races. Written with a broad narrative sweep and based on previously unavailable letters and manuscripts, William Randoph Hearst illuminates the character and era of the man who left an indelible mark on American journalism. |
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... Sunday and from eight o'clock to nine o'clock in the evenings), he scheduled afternoon workouts at the gymnasium—he took fencing lessons in Paris—and, whenever possible, attended the theater or opera in the evening. In Paris, however ...
... Sunday and from eight o'clock to nine o'clock in the evenings), he scheduled afternoon workouts at the gymnasium—he took fencing lessons in Paris—and, whenever possible, attended the theater or opera in the evening. In Paris, however ...
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... Sunday we had a German ... [who] talked 'shus' like Gus Williams. Nearly half the boys in school got ... [on] report for laughing.” And the Sunday before that “we had a minister who kept forgetting his place,” repeating over and over ...
... Sunday we had a German ... [who] talked 'shus' like Gus Williams. Nearly half the boys in school got ... [on] report for laughing.” And the Sunday before that “we had a minister who kept forgetting his place,” repeating over and over ...
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... [Sunday's paper] of 5000 copies.” Whereas under the old management several columns of advertisements had sometimes occupied the right side of page one, news stories from around the world, each one significantly recognized as “[special to ...
... [Sunday's paper] of 5000 copies.” Whereas under the old management several columns of advertisements had sometimes occupied the right side of page one, news stories from around the world, each one significantly recognized as “[special to ...
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... Sunday column called “Prattle,” which would “not be edited” by anyone and would appear regularly on the editorial page beginning on March 17,1887.18 Possibly the best example of Bierce's style was the description of his first encounter ...
... Sunday column called “Prattle,” which would “not be edited” by anyone and would appear regularly on the editorial page beginning on March 17,1887.18 Possibly the best example of Bierce's style was the description of his first encounter ...
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... Sunday edition (usually on page twelve or fourteen) he published the words and music of stageplay songs (“'The Toboggan Slide' as sung in Edward Haggard's New Play McNooney's Visit”). Yet what Hearst encouraged, in fact demanded, of his ...
... Sunday edition (usually on page twelve or fourteen) he published the words and music of stageplay songs (“'The Toboggan Slide' as sung in Edward Haggard's New Play McNooney's Visit”). Yet what Hearst encouraged, in fact demanded, of his ...
內容
The Journals | |
Political Activist | |
Running for President | |
Uncrowned Mayor of New York | |
Patron Saint of the Independents | |
Notes | 1 |
Index Illustrations | 68 |
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Abbot American and Journal American Phenomenon American Progressivism announced Apperson Appraisal April August boss Brisbane Bryan California campaign candidate Carlson and Bates cartoons Charles circulation Citizen Hearst Concerning continued convention Creelman crowd crusade Cuba Cuban daily December delegates Democratic Party editorial election especially February February 20 Gaynor George Hearst Harvard headlines Hearst to Mother Hemment ibid Independence League Independence Party January January 18 journalistic July June labor leaders Littlefield Lord of San March Max Ihmsen mayor McClellan McKinley Millis months Morning Journal municipal ownership Murphy nomination November October 13 October 28 Older PAH Papers Phebe Phoebe policies political President presidential Progressivism Pulitzer reform reporters Republican Role in American Roosevelt San Francisco Examiner San Simeon September 13 September 25 Shearn Spanish specifically stories Sunday Swanberg Tammany thousand victory vote W. R. Hearst week William Randolph Hearst Willie Winkler WRH Papers York American York City York Tribune Yorkers