Sonnets of this CenturyWilliam Sharp W. Scott, 1886 - 333 頁 |
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第 1 到 5 筆結果,共 20 筆
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... octave is simply that of two ordinary conjoint quatrains , or two rhymes throughout , it is a true example in all other particulars . Fra Guittone flourished during the greater part of the thirteenth century , and he it was who first ...
... octave is simply that of two ordinary conjoint quatrains , or two rhymes throughout , it is a true example in all other particulars . Fra Guittone flourished during the greater part of the thirteenth century , and he it was who first ...
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... octave , how many in the sestet ? or were they to pervade both systems indiscriminately ? Even before Dante and Petrarca wrote their sonnets it was an accepted canon that the octave lost its dignity if it contained more than two ...
... octave , how many in the sestet ? or were they to pervade both systems indiscriminately ? Even before Dante and Petrarca wrote their sonnets it was an accepted canon that the octave lost its dignity if it contained more than two ...
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... octave ( the terminations of the sixth and seventh lines ) , and there can be no doubt that if this were equally satisfactory to the ear , a still greater and most valuable expansion would be given to the English sonnet but to the ...
... octave ( the terminations of the sixth and seventh lines ) , and there can be no doubt that if this were equally satisfactory to the ear , a still greater and most valuable expansion would be given to the English sonnet but to the ...
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... octave and to the full break at the latter's close . It would be a mistake , however , to dogmatise upon the point , and the poet will probably instinctively use the tercets in just correspondence with his emotional impulse . The ...
... octave and to the full break at the latter's close . It would be a mistake , however , to dogmatise upon the point , and the poet will probably instinctively use the tercets in just correspondence with his emotional impulse . The ...
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... octave and also of the opening lines of the sestet , the couplet is apt to come upon one with an unexpected jar , as if someone had opened and banged - to a door while the musician was letting the last harmonious chords thrill under his ...
... octave and also of the opening lines of the sestet , the couplet is apt to come upon one with an unexpected jar , as if someone had opened and banged - to a door while the musician was letting the last harmonious chords thrill under his ...
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常見字詞
Alcyone amid AUBREY DE VERE beauty beneath blind breast breath bright brow calm cloud cold COLERIDGE couplet DANTE GABRIEL ROSSETTI dark dead death deep doth dread dream earth EDWARD CRACROFT LEFROY EDWARD DOWDEN English sonnet eternal EUGENE LEE-HAMILTON eyes Faded fair fate fear flowers gaze gleam gloom glory golden hair Hall Caine hand HARTLEY COLERIDGE hath hear heart heaven hill hope immortal Italian life's light lips living lone love thee love's melody mighty Milton moon mould murmur mute never night o'er octave Petrarcan PHILIP BOURKE MARSTON Phœbus Poems poet poetic pure rhyme-sounds rhymes Rossetti round seemed sestet shadow Shakespearian shore sigh silence sleep smile soft song soul sound stars stream strife sweet SYDNEY DOBELL tercets Theodore Watts thine things thou art thought voice waves weary wild WILLIAM CALDWELL ROSCOE WILLIAM WORDSWORTH wind wings Wordsworth
熱門章節
第 6 頁 - OTHERS abide our question. Thou art free. We ask and ask — Thou smilest and art still, Out-topping knowledge. For the loftiest hill, Who to the stars uncrowns his majesty, Planting his steadfast footsteps in the sea, Making the heaven of heavens his dwelling-place, Spares but the cloudy border of his base To the foil'd searching of mortality; And thou, who didst the stars and sunbeams know, Self-school'd, self-scann'd, self-honour'd, self-secure, Didst tread on earth unguess'd at.
第 117 頁 - ON SEEING THE ELGIN MARBLES MY spirit is too weak ; mortality Weighs heavily on me like unwilling sleep, And each imagined pinnacle and steep Of godlike hardship tells me I must die Like a sick eagle looking at the sky. Yet 'tis a gentle luxury to weep, That I have not the cloudy winds to keep Fresh for the opening of the morning's eye.
第 261 頁 - Two Voices are there ; one is of the sea, One of the mountains ; each a mighty Voice : In both from age to age thou didst rejoice, They were thy chosen music, Liberty...
第 35 頁 - To fetters, and the damp vault's dayless gloom, Their country conquers with their martyrdom, And Freedom's fame finds wings on every wind.
第 115 頁 - Homer ruled as his demesne : Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He stared at the Pacific — and all his men Looked at each other with a wild surmise: Silent, upon a peak in Darien.
第 259 頁 - ON THE EXTINCTION OF THE VENETIAN REPUBLIC. ONCE did She hold the gorgeous East in fee; And was the safeguard of the West : the worth Of Venice did not fall below her birth, Venice, the Eldest Child of Liberty. She was a Maiden City, bright and free ; No guile seduced, no force could violate ; And, when She took unto herself a Mate, She must espouse the everlasting Sea. And what if she had seen those glories fade, Those titles vanish, and that strength...