Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 364 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 5 筆結果,共 88 筆
Representations of Male Homosexuality in Contemporary Chinese Cinemas Song Hwee Lim. celluloid comrades representations of male homosexuality in contemporary chinese cinemas song hwee lim University of Hawai'i Press Honolulu. Front Cover.
Representations of Male Homosexuality in Contemporary Chinese Cinemas Song Hwee Lim. Contents. Acknowledgments ix Note on Chinese Romanization, Translation, and Periodization xv Introduction 1 1 Screening Homosexuality 19 2 The Burden of ...
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
Wong Karwais Happy Together | 99 |
The Poetics of Tsai Mingliangs | 126 |
Stanley Kwan as Gay Director | 153 |
Conclusion | 180 |
211 | |
241 | |