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The character also figures prominently in a well known parable by Zhuangzi # 7 generally referred to as T # ( “ Cook Ding Takes Apart an Ox , ” Chen 95–96 ) where in the space of about 300 characters f is repeated four times to ...
The character also figures prominently in a well known parable by Zhuangzi # 7 generally referred to as T # ( “ Cook Ding Takes Apart an Ox , ” Chen 95–96 ) where in the space of about 300 characters f is repeated four times to ...
第 151 頁
of Cook Ding , King Wenhui's interpretation of it , and the narrator's dramatization of and commentary on it . At this stage could be simply rendered from the perspective of the king as “ cut up . ” In the second stage , by revealing ...
of Cook Ding , King Wenhui's interpretation of it , and the narrator's dramatization of and commentary on it . At this stage could be simply rendered from the perspective of the king as “ cut up . ” In the second stage , by revealing ...
第 152 頁
6 between the cook and the ox and transforms the knife into an instrument of self analysis . Only by projecting himself as it were into the body of the ox and becoming one with it can the cook untie the knottiest joint .
6 between the cook and the ox and transforms the knife into an instrument of self analysis . Only by projecting himself as it were into the body of the ox and becoming one with it can the cook untie the knottiest joint .
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Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
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