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" Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); Jonathan Spence, The Question ofHu (New York: Knopf, 1988). "
The Origins of the Boxer Uprising - 第 408 頁
Joseph W. Esherick 著 - 1988 - 410 頁
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Medieval Agriculture, the Southern French Countryside, and the Early ...

Constance H. Berman - 1986 - 268 頁
...settlement and those farther east are obvious in any study of the region; see for instance, Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), 6-24, 5154, who discusses inheritance pattern variations. 17 This estimate is made by dividing the...
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Heavenly Supper: The Story of Maria Janis

Fulvio Tomizza - 1991 - 204 頁
...Sixteenth-Centurv Miller (Baltimore and London: Johns Hopkins University Press, 1980). Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983). Judith C. Brown, Immodest Acts: The Life of a Lesbian \un in Renaissance Italy (New York and Oxford:...
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Private Lives and Public Affairs: The Causes Célèbres of Prerevolutionary France

Sarah Maza - 1993 - 372 頁
...against an economically, politically, and socially resurgent aristocracy" (p. 28). 16. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), pp. 118-122; Natalie Zemon Davis, "On the Lame," American Historical Review 93 (1988): 574, nn. 9,...
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The Trial of Madame Caillaux

Edward Berenson - 1993 - 316 頁
...Montaillou: The Promised Land of Error, trans. Barbara Day (New York: Penguin Books, 1978); Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); Carlo Ginzburg, The Cheese and the Worms: The Cosmos of a SixteenthCentury Miller, trans. John and...
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Attending to Women in Early Modern England

Betty Travitsky, Adele F. Seeff - 1994 - 396 頁
...seen to be aspects of a single "new historical narrative." Review 93 (1988): 553-71; Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983). 4. Natalie Zemon Davis, "'On the lame,'" American Historical Review 93 (1988): 572-603. 5. The first...
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A Prescription for Murder: The Victorian Serial Killings of Dr. Thomas Neill ...

Angus McLaren - 1995 - 252 頁
...(Wilmington: SR Books, 1991). 11. Philip Jenkins, Contemporary Crises 13 (1989): 195—96. 12. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France (Stanford: Stanford...
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Beyond the Great Story: History as Text and Discourse

Robert F. Berkhofer - 1995 - 402 頁
...trans. John and Anne Tedeschi (Baltimore: Johns Hopkins University Press, 1989). 42. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); idem, Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France (Stanford:...
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Revisioning History: Film and the Construction of a New Past

Robert A. Rosenstone - 1995 - 268 頁
...History in the Last Twenty Years" and The New Cultural History. 17. See, for example, Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), which was made into a film. See also Staiger, "Securing the Fictional Narrative." 18. David Ansen,...
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The Uses of Reform: Godly Discipline and Popular Behavior in Scotland and ...

Michael F. Graham - 1996 - 400 頁
...Kirk on 17 June 1574, however. See ibid, 40. 3 For some examples which buck this trend, see Natalie Davis, The Return of Martin Guerre, (Cambridge, Mass: Harvard University Press, 1983); Paul Seaver, Wallington's World: The Life of a Puritan Artisan in Seventeenth-Century London, (Stanford:...
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Reading Shakespeare Historically

Lisa Jardine - 1996 - 228 頁
...4 Robert Finlay, The refashioning of Martin Guerre', AHR, 1988, vol. 93, pp. 553-71; Natalie Zemon Davis, The Return of Martin Guerre, Cambridge, Mass., Harvard University Press, 1983. 5 Natalie Zemon Davis, '"On the lame" ', MR, 1988, vol. 93, pp. 572-603. 6 The first was Nellie Neilson...
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