Tamkang Review, 第 12 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1981 |
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第 1 到 3 筆結果,共 47 筆
第 32 頁
... classical tradi- tion , but this would emphasize their polemics and ignore their poetics . Certainly the discursiveness of pai hua necessarily put the poetry of the twenties and the thirties at a remove from classical verse , but the ...
... classical tradi- tion , but this would emphasize their polemics and ignore their poetics . Certainly the discursiveness of pai hua necessarily put the poetry of the twenties and the thirties at a remove from classical verse , but the ...
第 319 頁
... classical drama , both in ancient Greece and today . How many people do not know the story of Oedipus Rex ? Besides , to in- clude the synopses in the programs is a later practice in China . Nowadays , when a person enters a big theatre ...
... classical drama , both in ancient Greece and today . How many people do not know the story of Oedipus Rex ? Besides , to in- clude the synopses in the programs is a later practice in China . Nowadays , when a person enters a big theatre ...
第 326 頁
Notes 1 . 2 . 3 . A. C. Scott , The Classical Theatre of China ( London : George Allen and Unwin , 1957 ) , pp . 15-16 . I personally feel that in terms of rhythm this classical Chinese theatre is closer to Western ballet than Western ...
Notes 1 . 2 . 3 . A. C. Scott , The Classical Theatre of China ( London : George Allen and Unwin , 1957 ) , pp . 15-16 . I personally feel that in terms of rhythm this classical Chinese theatre is closer to Western ballet than Western ...
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