Tamkang Review, 第 12 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1981 |
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第 1 到 3 筆結果,共 31 筆
第 234 頁
... space " or " environment " for the theatre , because he wanted to build a more flexible space and relationship between the performer and the spectator . The group was based on collectiveness of the performers . They named the ensemble ...
... space " or " environment " for the theatre , because he wanted to build a more flexible space and relationship between the performer and the spectator . The group was based on collectiveness of the performers . They named the ensemble ...
第 235 頁
... space . There are no comfortable seats for them . In other words , they can go anywhere before and during the performance . The spectators are never given the same or equal experiences within the space . A spectator in one place has a ...
... space . There are no comfortable seats for them . In other words , they can go anywhere before and during the performance . The spectators are never given the same or equal experiences within the space . A spectator in one place has a ...
第 285 頁
The Treatment of Time and Space on Peking Opera Stage Wei Tze - yün The theatre is an art of space because a play ( or an opera ) is performed on the stage . A stage is only a small space , measuring no more than thirty square meters ...
The Treatment of Time and Space on Peking Opera Stage Wei Tze - yün The theatre is an art of space because a play ( or an opera ) is performed on the stage . A stage is only a small space , measuring no more than thirty square meters ...
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