淡江評論, 第 17 卷,第 3 期Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1987 |
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第 1 到 3 筆結果,共 10 筆
第 232 頁
... speaker - soon becomes clear in the fourth line . By rhyming " nuits ( nights ) " with " ennuis ( boredom ) , " the speaker implies that his somber mood is like a dark day , " un jour noir plus triste que les nuits . " The darkness of ...
... speaker - soon becomes clear in the fourth line . By rhyming " nuits ( nights ) " with " ennuis ( boredom ) , " the speaker implies that his somber mood is like a dark day , " un jour noir plus triste que les nuits . " The darkness of ...
第 233 頁
... speaker once again associates his somber mood with a dark color , a link that refers back to the beginning of the ... speaker's dark sin . Like the wanderer in " I Came Out of a Café , " the speaker in this poem also describes himself as ...
... speaker once again associates his somber mood with a dark color , a link that refers back to the beginning of the ... speaker's dark sin . Like the wanderer in " I Came Out of a Café , " the speaker in this poem also describes himself as ...
第 239 頁
question : Has the speaker or the poet encountered the girl ? At the center of the poem , the speaker tells us that " she drifts by " ; at the end , however , the statement is no longer quite certain : " I hope there drifted by / A ...
question : Has the speaker or the poet encountered the girl ? At the center of the poem , the speaker tells us that " she drifts by " ; at the end , however , the statement is no longer quite certain : " I hope there drifted by / A ...
內容
Historical Sketch of Chinese Comparative | 197 |
Gary Snyder and Taoism Shu Yunzhong | 245 |
Foxes in Chinese Supernatural Tales Part II Fatima Wu | 263 |
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