淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 68 筆
第 226 頁
... expression of scene as implied . in the term " near " or other similar terms ; it is the direct and vivid expression of the " true " and the " profound " in both " feeling ” and “ scene . ” Thus , the importance Wang attaches to " not ...
... expression of scene as implied . in the term " near " or other similar terms ; it is the direct and vivid expression of the " true " and the " profound " in both " feeling ” and “ scene . ” Thus , the importance Wang attaches to " not ...
第 236 頁
... expression , " " self- expression . " Thinking of " sincerity , " complete self - expression is also ( com- plete ) self - transparency , so that nothing is hidden - from others or from oneself . In a sense the " self " disappears here ...
... expression , " " self- expression . " Thinking of " sincerity , " complete self - expression is also ( com- plete ) self - transparency , so that nothing is hidden - from others or from oneself . In a sense the " self " disappears here ...
第 578 頁
... expression should not damage the substance ”文不滅質.40 Behind Liu Hsieh's privileging substance over expression there is obviously a presupposition that substance -- be it called emotion , feeling , intent , meaning , ideas , absolute ...
... expression should not damage the substance ”文不滅質.40 Behind Liu Hsieh's privileging substance over expression there is obviously a presupposition that substance -- be it called emotion , feeling , intent , meaning , ideas , absolute ...
內容
Muriel Detrie | 43 |
The Uncanny of Freud and The Mythomorphic | 69 |
Miguel de Unamunos Notes Toward a Treatise on Origami | 81 |
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