淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 83 筆
第 549 頁
... play in order to entertain his audience . By foregrounding two marginal characters of this large - as - life world of Hamlet , Stoppard shows us the comic energy one can draw from the unconsciousness of Rosencrantz and Guildenstern as ...
... play in order to entertain his audience . By foregrounding two marginal characters of this large - as - life world of Hamlet , Stoppard shows us the comic energy one can draw from the unconsciousness of Rosencrantz and Guildenstern as ...
第 750 頁
... play written to explore exactly " why it is that in Asian theatre and also in Shakespearean theatre men play women's roles " and to " deal with the concept of the onnagata in the context of a Western play " ( DiGaetani 146 ) . The play's ...
... play written to explore exactly " why it is that in Asian theatre and also in Shakespearean theatre men play women's roles " and to " deal with the concept of the onnagata in the context of a Western play " ( DiGaetani 146 ) . The play's ...
第 752 頁
... play ideologically ambivalent , caught up in the dilemma of the exposure of errors and the production of truth . Like costumes , cultural and gender identities are thus presented in the play as constantly oscillating between ...
... play ideologically ambivalent , caught up in the dilemma of the exposure of errors and the production of truth . Like costumes , cultural and gender identities are thus presented in the play as constantly oscillating between ...
內容
Muriel Detrie | 43 |
The Uncanny of Freud and The Mythomorphic | 69 |
Miguel de Unamunos Notes Toward a Treatise on Origami | 81 |
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