淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 90 筆
第 219 頁
... poet in question must have felt about the particular event in the poem ; how faithfully the poet has rendered his feelings in the poem ; and , finally , how deeply the critic , as a reader , has been moved by what is described in the ...
... poet in question must have felt about the particular event in the poem ; how faithfully the poet has rendered his feelings in the poem ; and , finally , how deeply the critic , as a reader , has been moved by what is described in the ...
第 220 頁
... poet's perception of the " true " in feeling and scene . To reach this kind of perception , he says , the poet first has to know how to observe ( kuan ) the object of his contemplation . Traditional critics ( Liu Hsieh , Chung Hung ) ...
... poet's perception of the " true " in feeling and scene . To reach this kind of perception , he says , the poet first has to know how to observe ( kuan ) the object of his contemplation . Traditional critics ( Liu Hsieh , Chung Hung ) ...
第 223 頁
... poet , Feng Yen - ssu ( 903-960 ) , the poet's feeling apparently dominates the scene and is carried over into the latter , unlike what happens in T'ao Ch'ien's poem quoted earlier . In the " poetry - with - I " type of lyric , which ...
... poet , Feng Yen - ssu ( 903-960 ) , the poet's feeling apparently dominates the scene and is carried over into the latter , unlike what happens in T'ao Ch'ien's poem quoted earlier . In the " poetry - with - I " type of lyric , which ...
內容
Muriel Detrie | 43 |
The Uncanny of Freud and The Mythomorphic | 69 |
Miguel de Unamunos Notes Toward a Treatise on Origami | 81 |
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