Tamkang Review, 第 20 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 22 筆
第 68 頁
... Divine Comedy . Having inherited the Homeric epic device , Virgil in Book Six lets Aeneas go through the underworld to learn his destiny . Following Virgil's poetic and mythical traditions , Dante created his own journey into the ...
... Divine Comedy . Having inherited the Homeric epic device , Virgil in Book Six lets Aeneas go through the underworld to learn his destiny . Following Virgil's poetic and mythical traditions , Dante created his own journey into the ...
第 69 頁
... Divine Comedy is also arranged by Divine will . The difference is that the protagonist does not have a clear idea of the purpose of his journey at the beginning . Dante emphasizes the narrator's wandering state . The guide Virgil knows ...
... Divine Comedy is also arranged by Divine will . The difference is that the protagonist does not have a clear idea of the purpose of his journey at the beginning . Dante emphasizes the narrator's wandering state . The guide Virgil knows ...
第 70 頁
... Divine Comedy , P'an - kuan knows the purpose of the journey which the traveler is not aware of . At the entrance of ... Divine Comedy lies in P'an- kuan's role in revealing the Divine will . After Wang tells P'an - kuan's role in ...
... Divine Comedy , P'an - kuan knows the purpose of the journey which the traveler is not aware of . At the entrance of ... Divine Comedy lies in P'an- kuan's role in revealing the Divine will . After Wang tells P'an - kuan's role in ...
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