Tamkang Review, 第 20 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 30 筆
第 172 頁
... person lyric implies this reflexive tendency ; the reflexive addressee may be seen clearly when there is a shift of pronouns from " I " to " you , " that is to say , when the addresser separates from himself and calls himself by the ...
... person lyric implies this reflexive tendency ; the reflexive addressee may be seen clearly when there is a shift of pronouns from " I " to " you , " that is to say , when the addresser separates from himself and calls himself by the ...
第 174 頁
third person is full of semiotic interest . We may take this as just a case of classical indirectness , for it makes not much difference on the semantic level when the " dear she " is transformed back to " dear you " since both refer to ...
third person is full of semiotic interest . We may take this as just a case of classical indirectness , for it makes not much difference on the semantic level when the " dear she " is transformed back to " dear you " since both refer to ...
第 185 頁
... person , and what is represented there has a historical character , mirroring the emotional structure of a social group , not an individual psyche . Indeed , from my own observation , the Tzu - yeh Songs is a hybrid more than a single ...
... person , and what is represented there has a historical character , mirroring the emotional structure of a social group , not an individual psyche . Indeed , from my own observation , the Tzu - yeh Songs is a hybrid more than a single ...
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