Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... ancient Chinese shenyi ( a robelike garment whose authentic style was the sub- ject of heated debates among classical scholars ) were simultaneously current in different social sectors . ? In a political context where Confucian ...
... ancient paint- ings . This could present problems . Once , for example , competition from a suc- cessful rival acting troupe in 1915 led Qi Rushan , one of Mei's loyal advisors , to suggest the production of a fairytale in answer to the ...
... Ancient China . Honolulu : University of Hawai'i Press , 2002 . Goldstein , Joshua . “ Mei Lanfang and the Nationalization of Peking Opera , 1912–1930 . " positions : east asia cultures critique 7 , no . 2 ( 1999 ) : 377-420 ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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