Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 46 筆
... dressed in fantastically " female " costumes ( Fig . 5.1 ) . In a career that extended from the late Qing empire ( 1644-1911 ) to the early years of Communist government , not only the excellence of Mei's work but also the support he ...
... dressed theater to nationalist rhetoric ? No doubt the rediscovery of Mei and his theatrical legacy in post - Mao China has much to do with gov- ernment policies , but it also registers a discursive point where political and social ...
... dressed woman . Clothing did not define the performing context for the body , in other words ; rather it was the body that determined the performing con- text for its clothing . But where Zhou Zuoren's obscene actor gave the clothing ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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