Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 33 筆
... nationalist rhetoric and iconography , consisted of a man dressed in fantastically " female " costumes ( Fig . 5.1 ) ... nationalism , it is quite clear that the performance of female roles by male actors is key . In the traditionally all ...
... , how might we explain the long - term viability of theatrically cross - dressed men as icons of Chinese nationalism ? At a time when formerly hallowed legacies of China's nationalist rhetoric such as the May. CROSS - DRESSED NATION 81.
... nationalist rhetoric such as the May Fourth move- ment or the populist Boxer's uprising have become subject to anxious reflec- tion , how do we come to terms with the ongoing relevance of Mei Lanfang and cross - dressed theater to ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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