Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 15 筆
... passage translated above Ba Jin also refers to the female role dan actors in contemptuous tones , and since this is not necessarily a simple reflec- tion of the author's own views , we might conclude that he felt this attitude reflected ...
... passages that the authors are describing changes that took place from the last years of the Qing dynasty and which they witnessed continue through the first and second ... passage from Ba Jin with which we opened suggests MALE LOVE LOST 55.
... passage to more decidedly masculine psychical and social identities - occurs when she jumps off the cliff of Miaofeng Mountain . At that moment , she for- sakes all kinship ties , and her old emotional self undergoes death and rebirth ...
內容
New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
著作權所有 | |
11 個其他區段未顯示