淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 35 筆
第 10 頁
... Chapter One and Chapters Fifty - five and Fifty - six , the two bookends , as it were , the body of The Scholars presents the narrator with a pure , unencumbered narrative space . Herein lies the danger of endless longevity . Because of ...
... Chapter One and Chapters Fifty - five and Fifty - six , the two bookends , as it were , the body of The Scholars presents the narrator with a pure , unencumbered narrative space . Herein lies the danger of endless longevity . Because of ...
第 17 頁
... chapter , which is , we recall , the first narrative unit proper after the didactic prologue . Chapter Two is characterized by a technique of indirection , retardation as well as mirroring , that is , repetition of parallel characters ...
... chapter , which is , we recall , the first narrative unit proper after the didactic prologue . Chapter Two is characterized by a technique of indirection , retardation as well as mirroring , that is , repetition of parallel characters ...
第 52 頁
... Chapter Three , Liu E notes : " The first half of Chapter Two should be read as ' The Travel Account of Lake Ming , ' while the former half of this chapter is tantamount to a recording of ' Famous Springs in Chi - nan fu " " ( 32 ) ...
... Chapter Three , Liu E notes : " The first half of Chapter Two should be read as ' The Travel Account of Lake Ming , ' while the former half of this chapter is tantamount to a recording of ' Famous Springs in Chi - nan fu " " ( 32 ) ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou