淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 32 筆
第 141 頁
... Equus Alan's feelings towards Equus are ambiguous and complex . At first , he identifies himself with Equus . After a long affectionate relationship with Equus , then , Alan hates Equus so much that he blinds the horse's eyes . The ...
... Equus Alan's feelings towards Equus are ambiguous and complex . At first , he identifies himself with Equus . After a long affectionate relationship with Equus , then , Alan hates Equus so much that he blinds the horse's eyes . The ...
第 144 頁
... Equus , an extension of himself . Equus is the mirror reflection of his own self . Even from the name of Equus we can observe the significance of the doubling relationship between Alan and the horses and the effect of the mirror stage ...
... Equus , an extension of himself . Equus is the mirror reflection of his own self . Even from the name of Equus we can observe the significance of the doubling relationship between Alan and the horses and the effect of the mirror stage ...
第 164 頁
... Equus with ingenious theatricalism . A close study of the play has revealed a changing , uncontrolled but productive ... Equus , Dysart and Alan , and the audience and the whole play ; the identification of Alan with Equus and the ...
... Equus with ingenious theatricalism . A close study of the play has revealed a changing , uncontrolled but productive ... Equus , Dysart and Alan , and the audience and the whole play ; the identification of Alan with Equus and the ...
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According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou