淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 24 筆
第 159 頁
... audience a somewhat illusive and unconscious feeling that they , like the other characters , are witnesses of Dysart's action . Because of the design , the distance between the psychiatrist and the audience is contracted . It also leads ...
... audience a somewhat illusive and unconscious feeling that they , like the other characters , are witnesses of Dysart's action . Because of the design , the distance between the psychiatrist and the audience is contracted . It also leads ...
第 161 頁
... audience's real identity , would soon again lead the audience to their unconscious fantasy . They , hence , would fancy themselves even as the character , Dysart , instead of the audience . The whole process of the doctor curing Alan ...
... audience's real identity , would soon again lead the audience to their unconscious fantasy . They , hence , would fancy themselves even as the character , Dysart , instead of the audience . The whole process of the doctor curing Alan ...
第 163 頁
... audience's unconscious . It is the doctor's remark to the audience , rather than the shift of scene at the beginning of Act II , that cuts short the identification of the audience with Dysart . The break of the identification and , then ...
... audience's unconscious . It is the doctor's remark to the audience , rather than the shift of scene at the beginning of Act II , that cuts short the identification of the audience with Dysart . The break of the identification and , then ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou