淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 20 筆
第 41 頁
... called P'eng - lai Hill , and on this hill a pavilion called the P'eng - lai Pavilion . It is most imposing with its " painted roof - tree flying like a cloud " and its " bead screens rolled up like rain . " To the west it overlooks the ...
... called P'eng - lai Hill , and on this hill a pavilion called the P'eng - lai Pavilion . It is most imposing with its " painted roof - tree flying like a cloud " and its " bead screens rolled up like rain . " To the west it overlooks the ...
第 173 頁
... called upon and his activities are modestly , yet nevertheless decisively going on in the background . Mediators are servants . They hold the torch so that both parties , who would be in the dark without them , can communicate . But ...
... called upon and his activities are modestly , yet nevertheless decisively going on in the background . Mediators are servants . They hold the torch so that both parties , who would be in the dark without them , can communicate . But ...
第 215 頁
... called " the synchronicity of the non - synchronous . " 43 But there seems also to be a sense of resignation in the face of accelerating modernity and its disregard From Abroad , with Love : Transnational Texts , Local Critiques 215.
... called " the synchronicity of the non - synchronous . " 43 But there seems also to be a sense of resignation in the face of accelerating modernity and its disregard From Abroad , with Love : Transnational Texts , Local Critiques 215.
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According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou