淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 65 筆
第 157 頁
... characters in the play . The attachment of the characters to the audience is greatly attributed to the arrangement of the characters ' positions on the stage and the deliberate adoption of an ingenious design for the stage setting . The ...
... characters in the play . The attachment of the characters to the audience is greatly attributed to the arrangement of the characters ' positions on the stage and the deliberate adoption of an ingenious design for the stage setting . The ...
第 160 頁
... characters - Dysart at first and then Alan , and vice versa . Like the characters , the audience unconsciously become the objects on the stage to be seen rather than the subjects who see the play . This transformation , however , is not ...
... characters - Dysart at first and then Alan , and vice versa . Like the characters , the audience unconsciously become the objects on the stage to be seen rather than the subjects who see the play . This transformation , however , is not ...
第 39 頁
... characters instead of whole hosts of characters as is the norm for traditional Chinese fiction and , via characters ' encounters during journeys , novelists could build up story plots and organize their structures ( 271 ) . Ch'en P'ing ...
... characters instead of whole hosts of characters as is the norm for traditional Chinese fiction and , via characters ' encounters during journeys , novelists could build up story plots and organize their structures ( 271 ) . Ch'en P'ing ...
其他版本 - 查看全部
常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou