淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 51 筆
第 123 頁
... experience , hence producing a temporal experience of discontinuity from such zigzag chains of gaps in the story . As Ts'ui Pen's fragmentary letter states , “ I leave to the various futures ( not to all ) my garden of forking paths ...
... experience , hence producing a temporal experience of discontinuity from such zigzag chains of gaps in the story . As Ts'ui Pen's fragmentary letter states , “ I leave to the various futures ( not to all ) my garden of forking paths ...
第 161 頁
... experience of the character , Dysart , the audience become partial subjects who contemplate their own situations in reality related to Dysart's in art . At this time the audience experience what Aristotle implies in his Poetics , an ...
... experience of the character , Dysart , the audience become partial subjects who contemplate their own situations in reality related to Dysart's in art . At this time the audience experience what Aristotle implies in his Poetics , an ...
第 176 頁
... experience of the rising middle class . With special attention to the details of the setting and atmosphere , Defoe also vividly describes the appearance , features , dialogues , and moods of the characters , leaving no detail ...
... experience of the rising middle class . With special attention to the details of the setting and atmosphere , Defoe also vividly describes the appearance , features , dialogues , and moods of the characters , leaving no detail ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou