淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 36 筆
第 107 頁
Critics of literary genres maintain that " the fantastic " designates the world of the unspeakable , the unimaginable , the unfamiliar , and the foreignness of a cultural Other ( Todorov The Fantastic ; Jackson ; Lynette ; Cornwell ) ...
Critics of literary genres maintain that " the fantastic " designates the world of the unspeakable , the unimaginable , the unfamiliar , and the foreignness of a cultural Other ( Todorov The Fantastic ; Jackson ; Lynette ; Cornwell ) ...
第 110 頁
... fantastic . Instead of following Todorov's structural model , Jackson modifies his scheme . She suggests a definition of the fantastic as a " mode " from which different generic forms emerge . As she states , " the fantastic is a mode ...
... fantastic . Instead of following Todorov's structural model , Jackson modifies his scheme . She suggests a definition of the fantastic as a " mode " from which different generic forms emerge . As she states , " the fantastic is a mode ...
第 111 頁
... fantastic narrative desire constructs a threat and an unnamable darkness ; and it serves a subversive function with ... fantastic narrative usually expresses itself as a cultural limit bordering upon the latent vacancy , emptiness , and ...
... fantastic narrative desire constructs a threat and an unnamable darkness ; and it serves a subversive function with ... fantastic narrative usually expresses itself as a cultural limit bordering upon the latent vacancy , emptiness , and ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou