淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 47 筆
第 18 頁
... look of indescribable terror after seeing the dead woman who looks just like her . What should have been a straightforward love story is masked by the highly subjective docu - dramatic style of camera work , the confusing identity of ...
... look of indescribable terror after seeing the dead woman who looks just like her . What should have been a straightforward love story is masked by the highly subjective docu - dramatic style of camera work , the confusing identity of ...
第 126 頁
... looks at nothing . when A ties his shoes there's no need to look , no need to look at his feet , first left then right now both are tied . at four he knew how at five he was commended , at six he was skilled this is a day in A's life ...
... looks at nothing . when A ties his shoes there's no need to look , no need to look at his feet , first left then right now both are tied . at four he knew how at five he was commended , at six he was skilled this is a day in A's life ...
第 134 頁
... look for ' look , ' and indeed for several instances of expression here . ' see . ' Different from " See , " the former is the more important 18 The speaker's sex is deduced from the reference to the author ( F ) in line 26 . 19 This ...
... look for ' look , ' and indeed for several instances of expression here . ' see . ' Different from " See , " the former is the more important 18 The speaker's sex is deduced from the reference to the author ( F ) in line 26 . 19 This ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou