淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 53 筆
第 160 頁
... play and , then , by identifying with the characters of the play through empathy , the audience would forget their own real life identities and unconsciously get into the play itself . A three - stage process , but not complete ...
... play and , then , by identifying with the characters of the play through empathy , the audience would forget their own real life identities and unconsciously get into the play itself . A three - stage process , but not complete ...
第 161 頁
... play goes on , they identify themselves with Dysart who brings out his situations and guides the audience's identification with him , and then afterward with Alan while Dysart explores Alan's psyche and has him act out his past . Yet ...
... play goes on , they identify themselves with Dysart who brings out his situations and guides the audience's identification with him , and then afterward with Alan while Dysart explores Alan's psyche and has him act out his past . Yet ...
第 164 頁
... play has revealed a changing , uncontrolled but productive phenomenon , " aporia , " pervading the whole play . The text itself has several incoherent and doubtful points and turns , especially the behavior of Alan and the reactions of ...
... play has revealed a changing , uncontrolled but productive phenomenon , " aporia , " pervading the whole play . The text itself has several incoherent and doubtful points and turns , especially the behavior of Alan and the reactions of ...
其他版本 - 查看全部
常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou