淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 52 筆
第 141 頁
... relationships between Alan and Equus , between Dysart and Alan as well as between the characters , especially Dysart ... relationship with Equus , then , Alan hates Equus so much that he blinds the horse's eyes . The affection and hatred ...
... relationships between Alan and Equus , between Dysart and Alan as well as between the characters , especially Dysart ... relationship with Equus , then , Alan hates Equus so much that he blinds the horse's eyes . The affection and hatred ...
第 144 頁
... relationship with the horse " was sexy " ( Shaffer 239 ) . In the last scene of Act one , Alan cries out his sexual relationship and oneness with Nugget . ALAN : ( Shouting . ) WEE ! ... WAA ! ... WONDERFUL ! I'm stiff ! Stiff in the ...
... relationship with the horse " was sexy " ( Shaffer 239 ) . In the last scene of Act one , Alan cries out his sexual relationship and oneness with Nugget . ALAN : ( Shouting . ) WEE ! ... WAA ! ... WONDERFUL ! I'm stiff ! Stiff in the ...
第 156 頁
... Relationship between the Characters and Audience A study of the play reveals that the relationship between the characters in the play and the audience is intended to 156 Tamkang Review , Vol . XXXVI , No. 3.
... Relationship between the Characters and Audience A study of the play reveals that the relationship between the characters in the play and the audience is intended to 156 Tamkang Review , Vol . XXXVI , No. 3.
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou