淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 36 筆
第 91 頁
... sexual difference first brought up by Jacques Derrida . The novel , seeking to define the monster's parenthood , involves in it a father and a mother , and hence sexual difference . Yet it is parthenogenesis as dominated by the ...
... sexual difference first brought up by Jacques Derrida . The novel , seeking to define the monster's parenthood , involves in it a father and a mother , and hence sexual difference . Yet it is parthenogenesis as dominated by the ...
第 99 頁
... sexuality , the dark , shapeless substances are what survive the ruin . The aftermath is that sexual difference turns into sexual monstrosity , affirming nothing but the fact that woman is impossible within the project of metaphysics ...
... sexuality , the dark , shapeless substances are what survive the ruin . The aftermath is that sexual difference turns into sexual monstrosity , affirming nothing but the fact that woman is impossible within the project of metaphysics ...
第 100 頁
... sexual opposition " ( " Women " 199 ) , has allowed sexual multiplication as originating from neutralization to stop short at sexual opposition . It is as if sexual opposition as duality does not get " neutralized " at all , throwing ...
... sexual opposition " ( " Women " 199 ) , has allowed sexual multiplication as originating from neutralization to stop short at sexual opposition . It is as if sexual opposition as duality does not get " neutralized " at all , throwing ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou