淡江評論, 第 36 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University., 2006 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 67 筆
第 47 頁
... space otherwise not conducive to social relations . And it is also the character of Hsiao Kang that simultaneously stands in for the viewing audience , as he clears a space around the hole and gazes longingly into the space in the same ...
... space otherwise not conducive to social relations . And it is also the character of Hsiao Kang that simultaneously stands in for the viewing audience , as he clears a space around the hole and gazes longingly into the space in the same ...
第 58 頁
... spaces on daily basis . In terms of constructing an indigenous cultural identity , Chan's camera captures the local to counter the stock image of Hong Kong as ungrounded capitalist space . For a long time , Hong Kong has been defined ...
... spaces on daily basis . In terms of constructing an indigenous cultural identity , Chan's camera captures the local to counter the stock image of Hong Kong as ungrounded capitalist space . For a long time , Hong Kong has been defined ...
第 35 頁
... space . It explores Liu E's perceived relationship between self , society , and country as expressed in various ... space inside his fiction as a landscape of mind . KEY WORDS Liu E , The Travels of Lao Ts'an , yu - chi , Lake Ming , the ...
... space . It explores Liu E's perceived relationship between self , society , and country as expressed in various ... space inside his fiction as a landscape of mind . KEY WORDS Liu E , The Travels of Lao Ts'an , yu - chi , Lake Ming , the ...
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常見字詞
According Alan audience becomes beginning called Chapter characters Cheung China Chinese construction created critical cultural death depiction desire discourse discussion Dysart Equus existence experience fact fantastic feeling fiction final force Gaze global city hand Hong Kong horses human identity imagination Incident individual issue kind language Lao Ts'an literary literature Little Liu E's living look means moral narrative narrator nature never novel object original past play poem poetry political position postcolonial present published question readers reflected relation relationship represented River role scene Scholars seen sense setting sexual shows signifier social society space stage story structure suggests Taipei traditional translation Travels Travels of Lao turn unconscious understanding University Western women writing Zhou