The Cinema of Ang Lee: The Other Side of the ScreenWallflower Press, 2007 - 203 頁 The first full-length study of its kind, the book investigates recurring themes and motifs across Ang Lee's astonishingly diverse range of works. From the blockbuster, Hulk, to the period drama, Sense and Sensibility, each film is studied in depth to reveal Lee's interest in gender, cultural identity, family ritual and social duty. The volume not only investigates Lee's greatest successes--Crouching Tiger Hidden Dragon (2000), which transformed the status of Chinese martial arts films across the globe, and Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema - it also discusses his earlier works, such as Eat Drink Man Woman (1994) and The Wedding Banquet (1993). By looking at the beginnings of Lee's career, Whitney Crothers Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Accessible, lively and incisive, this new addition to our Directors' Cuts series not only provides a valuable academic resource but also an enjoyable read for anyone interested in this acclaimed director. |
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... Brokeback Mountain - after the Academy Awards - The peace on Lee's face as he won the Academy Award for Best Director belied the controversy that had surrounded Brokeback Mountain both prior to and following the awards ceremony ...
... Brokeback Mountain , which they described as ' frank gay love in a mainstream movie starring A - list actors ' - conveniently omitting the fact that Heath Ledger , Michelle Williams , Jake Gyllenhaal and Anne Hathaway were not A - list ...
... Brokeback Mountain's initial run ( an understanding of New York's microclimates helped Schamus immensely ) , another strategy used in marketing Brokeback Mountain was to sell it as a romance for women rather than a controversial gay ...