The Cinema of Ang Lee: The Other Side of the ScreenWallflower Press, 2007 - 203 頁 The first full-length study of its kind, the book investigates recurring themes and motifs across Ang Lee's astonishingly diverse range of works. From the blockbuster, Hulk, to the period drama, Sense and Sensibility, each film is studied in depth to reveal Lee's interest in gender, cultural identity, family ritual and social duty. The volume not only investigates Lee's greatest successes--Crouching Tiger Hidden Dragon (2000), which transformed the status of Chinese martial arts films across the globe, and Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema - it also discusses his earlier works, such as Eat Drink Man Woman (1994) and The Wedding Banquet (1993). By looking at the beginnings of Lee's career, Whitney Crothers Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Accessible, lively and incisive, this new addition to our Directors' Cuts series not only provides a valuable academic resource but also an enjoyable read for anyone interested in this acclaimed director. |
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... Hong Kong filmmaker Wong Kar - wai's gay road movie , Happy Together ( Chunguang zhaxie , 1997 ) . Hong Kong's position as a city straddling East and West , with its mixed Chinese and British heritage , contributed to its troubled ...
... Hong Kong in the 1970s . He worked in Hong Kong , Taiwan and China before his death in Taiwan in 1997. While making his grand opus A Touch of Zen he was criticised for his overly - fastidious and time - consuming working methods . When ...
... Hong Kong actor John Lone . ) 1988 was also a watershed year for mainland Chinese director Zhang Yimou , whose film Red Sorghum ( Hong gaoliang , 1987 ) won the Golden Bear at the Berlin International Film Festival , the first film from ...