The Cinema of Ang Lee: The Other Side of the ScreenWallflower Press, 2007 - 203 頁 The first full-length study of its kind, the book investigates recurring themes and motifs across Ang Lee's astonishingly diverse range of works. From the blockbuster, Hulk, to the period drama, Sense and Sensibility, each film is studied in depth to reveal Lee's interest in gender, cultural identity, family ritual and social duty. The volume not only investigates Lee's greatest successes--Crouching Tiger Hidden Dragon (2000), which transformed the status of Chinese martial arts films across the globe, and Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema - it also discusses his earlier works, such as Eat Drink Man Woman (1994) and The Wedding Banquet (1993). By looking at the beginnings of Lee's career, Whitney Crothers Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Accessible, lively and incisive, this new addition to our Directors' Cuts series not only provides a valuable academic resource but also an enjoyable read for anyone interested in this acclaimed director. |
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第 1 到 3 筆結果,共 42 筆
... experience – on the contrary , it is the reference to a ' pure ' signifier which gives unity and identity to our experience of historical reality itself . Historical reality is of course always symbolised ; the way we experience it is ...
... experience of working with Ang Lee . The candid diary accounts expertly portray various discom- forts and misunderstandings brought on by culture shock . For example , a particularly trying moment happened just at the start of filming ...
... experience of sexual shame that has to be reclaimed , reinterpreted and resituated by a queer adult who , armed with a theoretical knowledge about his or her sexuality , can transform past experiences with abjection , isolation and ...