The Cinema of Ang Lee: The Other Side of the ScreenWallflower Press, 2007 - 203 頁 The first full-length study of its kind, the book investigates recurring themes and motifs across Ang Lee's astonishingly diverse range of works. From the blockbuster, Hulk, to the period drama, Sense and Sensibility, each film is studied in depth to reveal Lee's interest in gender, cultural identity, family ritual and social duty. The volume not only investigates Lee's greatest successes--Crouching Tiger Hidden Dragon (2000), which transformed the status of Chinese martial arts films across the globe, and Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema - it also discusses his earlier works, such as Eat Drink Man Woman (1994) and The Wedding Banquet (1993). By looking at the beginnings of Lee's career, Whitney Crothers Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Accessible, lively and incisive, this new addition to our Directors' Cuts series not only provides a valuable academic resource but also an enjoyable read for anyone interested in this acclaimed director. |
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... practice in Asia ; examples are Hong Kong's Anita Mui and The Wedding Banquet's May Chin , megastars with pop music careers as well as film leads . ) Kilcher's performance has been widely praised by critics , who considered her ...
... practice . I can teach you to fight with the Green Destiny , but first you must learn to hold it in stillness . Li : Jen : Why do you want to teach me ? Li : Jen : Li : I've always wanted a disciple worthy of Wudan's secrets . And if I ...
... practice ... All this time , I've never had the courage to touch it . ( Li takes Shu Lien's hand and presses it to his face . ) Li : [ Jianghu ] is a world of tigers and dragons , full of corruption ... I tried sincerely to give it up ...