The Cinema of Ang Lee: The Other Side of the ScreenWallflower Press, 2007 - 203 頁 The first full-length study of its kind, the book investigates recurring themes and motifs across Ang Lee's astonishingly diverse range of works. From the blockbuster, Hulk, to the period drama, Sense and Sensibility, each film is studied in depth to reveal Lee's interest in gender, cultural identity, family ritual and social duty. The volume not only investigates Lee's greatest successes--Crouching Tiger Hidden Dragon (2000), which transformed the status of Chinese martial arts films across the globe, and Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema - it also discusses his earlier works, such as Eat Drink Man Woman (1994) and The Wedding Banquet (1993). By looking at the beginnings of Lee's career, Whitney Crothers Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Accessible, lively and incisive, this new addition to our Directors' Cuts series not only provides a valuable academic resource but also an enjoyable read for anyone interested in this acclaimed director. |
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第 1 到 3 筆結果,共 37 筆
... relationship has definitely been with Ang Lee . Lee elaborates on his relationship with James Schamus : I brought my first project to him seeking out his help as a producer and the rest fell into place afterwards . And on The Wedding ...
... relationship to homosexu- ality . It brings something different to the pop culture marketplace at just the pivotal moment to catch a wave . 13 His article predicts that heartland America is ready for this film - that the film repre ...
... relationship : Lee's relationship with own father 4-6 , 14 , 18 , 79 , 156 ; autobiographical details in Pushing Hands 58 ; dialogue from Lee's own life in The Wedding Banquet 65 ; father as anti - hero in The Ice Storm 111 ; Oedipal ...