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第 1 到 3 筆結果，共 22 筆
第 159 頁
where members of the audience sit as a backdrop are also functional : Upstage , forming a backdrop to the whole , are tiers of seats in the fashion of a dissecting theatre , formed into two railed - off blocks , pierced by a central ...
where members of the audience sit as a backdrop are also functional : Upstage , forming a backdrop to the whole , are tiers of seats in the fashion of a dissecting theatre , formed into two railed - off blocks , pierced by a central ...
第 160 頁
The story of Dysart and Alan on the stage leaves an indelible impression on the audience and becomes part of the human experience . By , at first , appreciating the play and , then , by identifying with the characters of the play ...
The story of Dysart and Alan on the stage leaves an indelible impression on the audience and becomes part of the human experience . By , at first , appreciating the play and , then , by identifying with the characters of the play ...
第 163 頁
The same voice ( Equus's voice ) is calling not only Dysart , but also the audience “ out of the black cave of the Psyche ” ( Shaffer 267 ) . They not only admire Alan's distinguishing passion and zealous worship just in the same way as ...
The same voice ( Equus's voice ) is calling not only Dysart , but also the audience “ out of the black cave of the Psyche ” ( Shaffer 267 ) . They not only admire Alan's distinguishing passion and zealous worship just in the same way as ...
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內容
Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
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常見字詞
Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese Chinese Literature critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language literary Literature Little Liu E's living look meaning narrative narrator nature novel object original play poem poetry political position present Princeton qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows social society space Stone story structure Studies things traditional translation Travels turn unconscious understanding University Wang Western women writing York Zhou