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第 1 到 3 筆結果，共 66 筆
第 200 頁
The first poem describes his extraordinary beauty , but more important , it indicates that his external beauty is indeed a sign of his unusual capacity for feeling : As to his person , he had : a face like the moon of Mid - Autumn ...
The first poem describes his extraordinary beauty , but more important , it indicates that his external beauty is indeed a sign of his unusual capacity for feeling : As to his person , he had : a face like the moon of Mid - Autumn ...
第 245 頁
Qing bu qing can be defined in three ways , the first of which is feeling for the non - feeling , such as flowers , stones and pictures . A second interpretation of qing bu qing is that it points to the breakdown between self and other ...
Qing bu qing can be defined in three ways , the first of which is feeling for the non - feeling , such as flowers , stones and pictures . A second interpretation of qing bu qing is that it points to the breakdown between self and other ...
第 155 頁
And weirdly often now with me the feeling is that they are staring at us — that in some quite palpable way they precede us .... This is the feeling more and more with — No Place . Displacement ... ' Account for me , ' says staring Equus ...
And weirdly often now with me the feeling is that they are staring at us — that in some quite palpable way they precede us .... This is the feeling more and more with — No Place . Displacement ... ' Account for me , ' says staring Equus ...
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內容
Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
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常見字詞
Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese Chinese Literature critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language literary Literature Little Liu E's living look meaning narrative narrator nature novel object original play poem poetry political position present Princeton qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows social society space Stone story structure Studies things traditional translation Travels turn unconscious understanding University Wang Western women writing York Zhou