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第 1 到 3 筆結果，共 49 筆
第 92 頁
216 Mary Shelley's Frankenstein carries within itself the popular eighteenth - century trope of imagination and monstrosity , in spite of the book's “ mad scientist " motif privileging science to be its major ideological conceit .
216 Mary Shelley's Frankenstein carries within itself the popular eighteenth - century trope of imagination and monstrosity , in spite of the book's “ mad scientist " motif privileging science to be its major ideological conceit .
第 93 頁
The tension of the shift , taking the form of a widening “ gap between art ( i.e. , imagination ) and medicine ” ( Huet 110 ) , is in fact engendered by the ideological takeover of the role of Mother by Father .
The tension of the shift , taking the form of a widening “ gap between art ( i.e. , imagination ) and medicine ” ( Huet 110 ) , is in fact engendered by the ideological takeover of the role of Mother by Father .
第 95 頁
Frankenstein turns himself into a monster once again through his monstrous imagination of gender . Before that , he is already a monster — a “ mad scientist " —who has created a clone out of himself without giving a thought to the ...
Frankenstein turns himself into a monster once again through his monstrous imagination of gender . Before that , he is already a monster — a “ mad scientist " —who has created a clone out of himself without giving a thought to the ...
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Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
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Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese Chinese Literature critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language literary Literature Little Liu E's living look meaning narrative narrator nature novel object original play poem poetry political position present Princeton qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows social society space Stone story structure Studies things traditional translation Travels turn unconscious understanding University Wang Western women writing York Zhou