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第 140 頁
At the beginning of the process the subject is so preoccupied with the act of seeing the object that he finds himself later on getting involved unconsciously in the object . To the subject , the viewer , the object of the “ Gaze ...
At the beginning of the process the subject is so preoccupied with the act of seeing the object that he finds himself later on getting involved unconsciously in the object . To the subject , the viewer , the object of the “ Gaze ...
第 148 頁
This shift entails a virtual " giving up of the object " as a thing to be seen and mastered and a repositioning of “ seeing ” from a different position . The looker , in effect , becomes an object . In one sense , what happens here is ...
This shift entails a virtual " giving up of the object " as a thing to be seen and mastered and a repositioning of “ seeing ” from a different position . The looker , in effect , becomes an object . In one sense , what happens here is ...
第 153 頁
The alternated shift of subject and object of the “ Gaze ” also works in the relation of Dysart and Alan — the doctor and the patient . The shift of their identities is constantly circling and revolving along with the process of the ...
The alternated shift of subject and object of the “ Gaze ” also works in the relation of Dysart and Alan — the doctor and the patient . The shift of their identities is constantly circling and revolving along with the process of the ...
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內容
Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
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常見字詞
Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese Chinese Literature critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language literary Literature Little Liu E's living look meaning narrative narrator nature novel object original play poem poetry political position present Princeton qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows social society space Stone story structure Studies things traditional translation Travels turn unconscious understanding University Wang Western women writing York Zhou