搜尋書籍內容
第 1 到 3 筆結果，共 80 筆
第 156 頁
Ultimately , coming nearly to the end of the play , Dysart reads all the text of Alan's story and abreacts Alan's pain by having him relive his past and understand his past psyche . At this time , the third stage of the “ Gaze ” arrives ...
Ultimately , coming nearly to the end of the play , Dysart reads all the text of Alan's story and abreacts Alan's pain by having him relive his past and understand his past psyche . At this time , the third stage of the “ Gaze ” arrives ...
第 160 頁
By , at first , appreciating the play and , then , by identifying with the characters of the play through empathy , the audience would forget their own real life identities and unconsciously get into the play itself .
By , at first , appreciating the play and , then , by identifying with the characters of the play through empathy , the audience would forget their own real life identities and unconsciously get into the play itself .
第 163 頁
Through the process of watching the play , the audience's psychic zone undergoes a great change . The audience's id would occupy larger area in their psyche while they observe Alan's fervent passion toward horses .
Through the process of watching the play , the audience's psychic zone undergoes a great change . The audience's id would occupy larger area in their psyche while they observe Alan's fervent passion toward horses .
讀者評論 - 撰寫評論
我們找不到任何評論。
內容
Introduction Mark Ferrara and | 2 |
Honglou meng | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
6 個其他區段未顯示
其他版本 - 查看全部
常見字詞
Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese Chinese Literature critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language literary Literature Little Liu E's living look meaning narrative narrator nature novel object original play poem poetry political position present Princeton qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows social society space Stone story structure Studies things traditional translation Travels turn unconscious understanding University Wang Western women writing York Zhou