Tamkang Review, 第 18 卷Graduate School of Western Languages and Literature, Tamkang University, 1987 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 37 筆
第 229 頁
... principles which underlie the surface form . The intention is not to argue that another kind of poetry , deriving from classical haiku but deviating from the norm , may not be equally satisfying . The purpose here is to clarify what the ...
... principles which underlie the surface form . The intention is not to argue that another kind of poetry , deriving from classical haiku but deviating from the norm , may not be equally satisfying . The purpose here is to clarify what the ...
第 255 頁
... principles . The most basic principle of the classical haiku lies in its nature as a poetry of " being , " which was discussed in the previous pages . Since it aims at creating the sense of vitality inherent in the experience of the ...
... principles . The most basic principle of the classical haiku lies in its nature as a poetry of " being , " which was discussed in the previous pages . Since it aims at creating the sense of vitality inherent in the experience of the ...
第 395 頁
... principles until they become part of their personality so that their action will be automatically guided by them . In the story , however , Yen Hui reports to his teacher that he has forgotten the four cardinal principles in Confucian ...
... principles until they become part of their personality so that their action will be automatically guided by them . In the story , however , Yen Hui reports to his teacher that he has forgotten the four cardinal principles in Confucian ...
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